A CENTURY OF POWER AND INFLUENCE: THE ROLLS-ROYCE PHANTOM AT 100

A CENTURY OF POWER AND INFLUENCE: THE ROLLS-ROYCE PHANTOM AT 100

“Phantom is much more than a motor car. For 100 years, it has stood at the pinnacle of all Rolls-Royce motor cars – a cultural phenomenon that both reflects and influences the world around it. From its earliest days, Phantom has been one of the most desired rewards for success and a potent symbol of power and prestige on the world stage. Beyond status, it has always offered its owners a canvas for personal expression, transformed through Bespoke craftsmanship into a moving work of art. Across music, politics, art and beyond, Phantom has been present at many of history’s defining moments. The stories that surround it – and the images they’ve inspired our designers to create – reveal its extraordinary reach, and its enduring connection to greatness.”
Chris Brownridge, Chief Executive, Rolls-Royce Motor Cars

Phantom occupies a unique place in the history of Rolls-Royce. At any given time during the last 100 years, it has represented the very best in effortless luxury, engineering excellence, fine materials and exquisite, highly skilled craftsmanship. Across eight generations, each as storied as the last, Phantom has remained unrivalled – not just as the marque’s flagship motor car, but the world’s pinnacle luxury product – an icon of icons. As it enters its second century, Phantom remains an authoritative statement of connoisseurship, enjoyed by those who shape our world.
The stories of these individuals – and their motor cars – give Phantom its own place in history. Phantom has been associated with famous people and momentous events from its inception, signifying power and influence through its sheer size, dominant presence and – perhaps most significantly – its unique capacity to reflect its owner’s personality and significance.
Rolls-Royce marks Phantom’s centenary by reflecting on some of the fascinating stories where Phantom has played a role. The marque’s designers have created a series of original artworks paying tribute to Phantom’s legacy, celebrating this remarkable motor car’s cultural impact through the decades and capturing the spirit of each of its eight generations.
These artworks echo a historical precedent dating back to 1910, when the artist Charles Sykes – who would later create the Spirit of Ecstasy mascot – was commissioned to produce six original oil paintings for the marque’s 80-page catalogue. These images showed Rolls-Royce motor cars arriving at the opera, a country house, the golf course and other venues, reflecting the tastes and lifestyles of its almost exclusively aristocratic owners at the time. The illustrations created by the marque’s designers in 2025 illustrate just how much that client profile has diversified over the past century.
While these contemporary illustrations celebrate Phantom’s evolving role in culture, they also echo a deeper truth: that for a century, Phantom has been present at defining moments in politics, society, and global history. From heads of state to stars of stage and screen, it has served those whose decisions and presence have helped shape the world we live in.

PHANTOM AS A STATEMENT OF AUTHORITY
One of the great commanders of the Second World War, Field Marshal Bernard Law Montgomery, 1st Viscount Montgomery of Alamein, was nicknamed ‘the Spartan General’ for his austere lifestyle. His sole concession to comfort was in his personal transport. Recognising the power of image and symbolism, ‘Monty’ used a pair of Phantoms to communicate permanence, solidity and reliability, sending a clear signal to his troops that he would stick with them through the darkest hours.
Montgomery’s day-to-day transport was a 1936 Phantom III with coachwork by Freestone & Webb, requisitioned from the head of the Talbot Motor Company, Frederick Wilcock. In the build-up to D-Day in June 1944, he used this motor car to convey Winston Churchill, General Eisenhower and even King George VI to planning sessions at the Supreme Headquarters Allied Expeditionary Force in Southwick House, Hampshire.
On occasion, during the war years, he used the ‘Butler’ Phantom III, assigned to the Chief of the Imperial General Staff. This particular motor car was so named because it was originally commissioned for Alan Samuel Butler, Chairman of the De Havilland Aircraft Company. With bodywork by HJ Mulliner, its most distinctive feature was a front-sloping windscreen that made the Phantom 15% more aerodynamic, a quality further enhanced by its swept-tail rear profile and enclosed spare wheel and tyre. Montgomery bought the motor car in 1958 and kept the ‘Butler’ until 1963, during which time it served many eminent passengers including the Prime Ministers of Canada, Australia and New Zealand.

PHANTOM AS THE ROYAL STANDARD
While Montgomery’s Phantoms were present at events that shaped the modern world, others took pride of place in royal households; none more so than in Rolls-Royce’s home of Great Britain.
In 1948, the Duke of Edinburgh, newly married to HRH Princess Elizabeth, paid a visit to Rolls-Royce. He was loaned an experimental car with a newly designed straight-eight 5.3-litre engine nicknamed ‘the Scalded Cat’ by the marque’s test drivers. Shortly after, he asked if the company could create a more formally bodied car for the use of HRH Princess Elizabeth and himself.
The Duke’s request was accepted, and the first Rolls-Royce Phantom IV chassis was laid down. With advice from Rolls-Royce, it was finished to His Royal Highness’ design. The order was confirmed on 15 November, and to preserve secrecy during its creation, it was given the code name Maharajah of Nabha. This historic motor car remains in active service at the Royal Mews under the name Maharajah to this day.
The British Royal Family subsequently commissioned another Phantom IV, two Phantom Vs, and two Phantom VIs to convey the sovereign. One of these is the renowned Silver Jubilee Phantom VI, which was presented to Queen Elizabeth II in 1977 by the British motor industry to celebrate her 25 years on the throne. Famously featuring a Bespoke raised roof, it would be used again in 2011 at the wedding of the then-Duke and Duchess of Cambridge, conveying the bride from the Goring Hotel to Westminster Abbey.
Across continents, another distinguished Phantom V became woven into the legacy of leadership, this time at the dawn of a new nation in the Middle East. Delivered in 1966 with coachwork by Mulliner Park Ward, the motor car was originally commissioned by Sheikh Zayed Bin Sultan Al Nahyan, revered as the ‘founding father’ of the United Arab Emirates. It was present at his inauguration as ruler of Abu Dhabi and played a pivotal role in his unification negotiations with the leaders of Dubai and other neighbouring Emirates. In 1971, this Phantom carried James Treadwell, the first British Ambassador to the UAE, to the ceremony that formally established the federation on 2 December.
Eight years later, that same Phantom V would return to prominence when it served as the official state conveyance for Her Majesty Queen Elizabeth II during her historic visit to the UAE in 1979 – a moment that brought the two royal legacies full circle.
Beyond ceremonial duties, Phantom has long played a quieter role in the theatre of diplomacy. In 1965, the use of Rolls-Royce motor cars by UK government departments was formally debated in Parliament, a reflection of their symbolic weight on the world stage. During this period, Phantom Vs became trusted envoys in themselves, serving British diplomats in postings as far-reaching as New York, Washington, Tokyo and New Delhi, with earlier examples used in Rome and other destinations.
Over the years, Phantom has also been used in official capacities in countries including Australia, Kuwait, Spain, Thailand and the United Arab Emirates – a testament to its role in the subtle language of statecraft. Indeed, the former British ambassador to Paris, Sir John Fretwell, told British newspaper, The Times, “My Rolls certainly helped when visiting the Élysée. The guards on the gate had no excuse for not knowing it was the British ambassador.”

A PHANTOM FOR A BEATLE: ENTER JOHN LENNON
Not every Phantom V was destined for royal service or diplomatic ceremony. Some would come to symbolise an entirely different kind of cultural power. In December 1964, Britain’s disruptor-in-chief, John Lennon, rewarded himself for the success of The Beatles’ A Hard Day’s Night by commissioning his own Rolls-Royce motor car. In typically iconoclastic fashion, Lennon specified his Phantom V should be black everywhere, inside and out. (There are, however, lines that even a Beatle can’t overstep; the motor car’s Pantheon grille and Spirit of Ecstasy mascot retained their conventional bright finish at the marque’s insistence.) This was one of the first cars in Britain to have blacked-out windows, made from darkened, reflective Triplex Deeplight glass.
As Lennon told a Rolling Stone interviewer in 1965, these were not only for privacy, “It’s partly that, but it’s also for when you’re coming home late,” the Beatle remarked. “If it’s daylight when you’re coming home, it’s still dark inside the car – you just shut all the windows and you’re still in the club.”
But this would not be this particular Phantom’s most famous iteration. In May 1967, just days before the release of Sgt. Pepper’s Lonely Hearts Club Band, this motor car was reborn. Inspired by the Romany-style caravan at his home in Weybridge, Lennon reportedly took the advice of Marijke Koger, one of the artists behind the design collective The Fool, and commissioned a complete transformation.
The once-black Phantom was repainted in vibrant yellow and covered with swirling, floral motifs and zodiac symbols. Lennon enlisted a local artist to realise the new design; the result was an artistic manifesto for the Summer of Love the same year, and was often parked proudly outside Lennon’s Kenwood home.
Not everyone approved. As the freshly painted Phantom drove down a promenade in London’s Piccadilly area that summer, Lennon claimed that an outraged Englishwoman shouted, “How dare you do that to a Rolls-Royce!” before attacking the motor car with her umbrella – a moment that only galvanised its legendary status.
Lennon’s Phantom moved with him to New York in 1971, where it became a familiar sight on Manhattan’s Upper West Side. In 1977, he donated it to the Cooper Hewitt Museum. When it was auctioned in 1985, the Phantom sold for $2,299,000 – then a world record for any piece of rock and roll memorabilia. A year later, it was gifted to the Province of British Columbia, where it remains in the care of the Royal British Columbia Museum: a countercultural artefact and perhaps the most famous Rolls-Royce in the world.
The Lennon motor car is just one example of Phantom’s deep ties to the creative industries. Since its inception, Phantom has been the reward of choice for influential figures who have shaped the cultural landscape, both as recognition for their success and as a canvas to express their own personality and vision.

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